Tuesday, 1 November 2016

Office Realism Tutorial


This tutorial was adding textures to a drawing of an office to give it a sense of realism. In addition to the textures we had to add light and shadows.





 We also had to draw up three objects and add a texture to them. One we did in class with Illustrator and the other two were up to us,

Illustrator 

Other


Below is my final piece





Monday, 24 October 2016

Anthropmorphizing Caricature


For this caricature we had to pick a celebrity and match them with an animal. I chose James McAvoy and paired him with a goat.


Caricature of James McAvoy


Sketch of goat.

Line work for my anthropmorphizing caricature.
And then my coloured version.







Wednesday, 19 October 2016

Using the Gradient Tool

In class we took an outline of a cartoon dog and gave him a more 3D look by adding gradients.





Monday, 17 October 2016

Surrealism Punchlines
Cartoon

For this class exercise we were given four different cartoon scenarios where we had to create a humorous punchline for the final panel. 











Sunday, 16 October 2016

Mindmapping and Surrealism

In this class exercise we studied the painting, The Creation of Adam, by Michelangelo. 



The first step was making a mindmap of the different simple words that described the painting. They could be object, verbs, or adjectives.



Then we took the painting and came up with three thumbnails that added a spoof to the original painting.

And below is the good copy of the L'Oreal Advertisement.



Tuesday, 4 October 2016

Caricature Final Revision

Here is my finale revised version of my caricature of Rumpelstiltskin played by Robert Carlyle from the television show Once Upon a Time. I drastically shrunk the body, changed the nose, made the mouth bigger, and defined the cheeks so that the chin looked smaller (this helped exaggerate the bigger mouth).


Caricature Version 2

Here is the revised version of my caricature of Rumpelstiltskin played by Robert Carlyle from the television show Once Upon a Time. I did some minor edits to the head to make it longer in shape. Then I made the bridge of the nose smaller to give the effect that it is a long. 


Monday, 3 October 2016

Cubism Thumbnails

For this class tutorial we had to choose an object (for mine I chose a desk lamp). Then we had to create 18 thumbnail sketches of our chosen object.

Below are my 18 thumbnail sketches.





Cubist Photoshoot 

For this creative class exercise we had to take a series of photos. Once taken the photos are photo merged in Photoshop to create a whole picture.








Tuesday, 27 September 2016


Character Caricature

For class we had to do a Caricature of a celebrity or character from a show (had to be a "real" person acting as the character). For this assignment I picked Rumpelstiltskin from the television show Once Upon a Time.



Starting this caricature we had to liquify the photograph in Photoshop. This was then used as a base for our drawing. For me I liquified he right eye and the mouth. The other effects I improvised. 


For our digital drawing we had to use different brushes to show texture and different brush thicknesses to show depth.

Rumpelstiltskin is a greedy, flamboyant, power seeking character but he also hides the fact that he is a coward behind all the flare and fake confidence. For mine I used a more bristled brush for the hair and a hard line for the rest. I then changed brush thickness and size for areas that didn't need as much focus and to add depth.

Below is the finished line work for my caricature.




Saturday, 24 September 2016


More Expressionist Techniques

For these two techniques we picked a drawing we had done previously. For mine I chose a faun detective character I created. (See below for original sketch)

For the first technique we used a brush with a hard edge to add a type of woodblock effect, only using black and white.

The second technique was a smudged colour look. The idea was not to smudge too much, we wanted to keep the hard edges of the separate shaped and colours.


These are two more techniques of how artists express emotions through their artwork. 

For example the woodblock look gives the sense of seriousness and starkness, where black and white are the only colours used. In contrast to the smudged look where the image is filled with intense colour that can express the emotions the artist is trying to portray. In this case my character is angry so I used "hot" colours the represent his frustration.






Painting to Music

In class we did an exercise where the instructor would play an instrumental music mix and we would paint. With each change in melody, tune, instrument, or vibe we would have to change colour, brush size, or brush shape based on how the music changed. In the end we all came up with different abstract art pieces. We repeated this for five different music tracks. Below is the art pieces I created.



Monday, 19 September 2016



Elderly Man Drawing Exercise 

For this in class drawing exercise we focused on a photograph of an elderly man for each of the techniques. 

For the first drawing we had about 10 minutes to draw the man exactly how we saw him. 




For second drawing we flipped the picture so the man was upside down. Then we drew focusing on the big shapes and recording carefully what we saw. 



The next technique we were only allowed to use curved lines in our drawing. 



For the following techniques we repeated the same kind of drawing as the one above but with only straight lines in our drawing. 



The next two drawings were timed drawings. We could only draw when the instructor said the key word, in this case it was "potato." When he finished the word we would have to stop drawing. We repeated it a second time but the time lengthened to two "potatoes". 




For our final drawing we focused on really pressing super hard with our pencils. This made it difficult to make curved lines. 



These specific techniques helped us understand the power of lines in expressionism. For example the curved lines only made the elderly man look gentle and kind. Where in contrast to the straight lines and darker lines could make the man look more menacing and mean.